Tracy Chevalier

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BOOKS BY THIS AUTHOR


Title: The Lady And The Unicorn: Description:
If you think you wouldn't raise your skirts for a rakish legend about the purifying powers of a unicorn's horn, then maybe you aren't a 15th-century serving girl under the sway of a velvet-tongued court painter of ill repute. In keeping with her bestselling Girl with a Pearl Earring, and its Edwardian-era follow-up, Falling Angels, Tracy Chevalier's tale of artistic creation and late-medieval amours, The Lady and the Unicorn is a subtle study in social power and the conflicts between love and duty. Nicolas des Innocents has been commissioned by the Parisian nobleman Jean Le Viste to design a series of large tapestries for his great hall (in real life, the famous Lady and the Unicorn cycle, now in Paris's Musee National du Moyen-Age Thermes de Cluny). While Nicolas is measuring the walls, he meets a beautiful girl who turns out to be Jean Le Viste's daughter. Their passion is impossible for their world--so forbidden, given their class differences, that its only avenue of expression turns out to be those magnificent tapestries. The historical evidence on which this story is based is slight enough to allow the full play of Chevalier's imagination in this cleverly woven tale. --Regina Marler, Amazon.com

Title: Girl With A Pearl Earring: Description:
The Dutch painter Vermeer has remained one of the great enigmas of 17th-century Dutch art. While little is known of his personal life, his extraordinary paintings of natural and domestic life, with their subtle play of light and colour, have come to define the Dutch Golden Age. The mysterious portrait of the anonymous Girl with a Pearl Earring has fascinated art historians for centuries, and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title. Girl with a Pearl Earring centres on Vermeer's prosperous household in Delft in the 1660s. The appointment of the quiet, perceptive heroine of the novel, the servant Griet, gradually throws the household into turmoil as Vermeer and Griet become increasingly intimate, an increasingly tense situation that culminates in her working for Vermeer as his assistant, and ultimately sitting for him as a model. Chevalier deliberately cultivates a limpid, painstakingly observed style in homage to Vermeer, and the complex domestic tensions of the Vermeer household are vividly evoked, from the jealous, vain, young wife to the wise, taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic, but Girl with a Pearl Earring does contain a final delicious twist in its tail. Chevalier acknowledges her debt to Simon Schama's classic study of the Dutch Golden Age, The Embarrassment of Riches, and the novel comes hard on the heels of Deborah Moggach's similar tale of domestic intrigue behind the easel of 17th-century Dutch painting, Tulip Fever. Girl with a Pearl Earring is a fascinating piece of speculative historical fiction, but how much more can novelists extract from the Dutch Golden Age? --Jerry Brotton

Title: Girl With A Pearl Earring: Description:
The Dutch painter Vermeer has remained one of the great enigmas of 17th-century Dutch art. While little is known of his personal life, his extraordinary paintings of natural and domestic life, with their subtle play of light and colour, have come to define the Dutch Golden Age. The mysterious portrait of the anonymous Girl with a Pearl Earring has fascinated art historians for centuries, and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title. Girl with a Pearl Earring centres on Vermeer's prosperous household in Delft in the 1660s. The appointment of the quiet, perceptive heroine of the novel, the servant Griet, gradually throws the household into turmoil as Vermeer and Griet become increasingly intimate, an increasingly tense situation that culminates in her working for Vermeer as his assistant, and ultimately sitting for him as a model. Chevalier deliberately cultivates a limpid, painstakingly observed style in homage to Vermeer, and the complex domestic tensions of the Vermeer household are vividly evoked, from the jealous, vain, young wife to the wise, taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic, but Girl with a Pearl Earring does contain a final delicious twist in its tail. Chevalier acknowledges her debt to Simon Schama's classic study of the Dutch Golden Age, The Embarrassment of Riches, and the novel comes hard on the heels of Deborah Moggach's similar tale of domestic intrigue behind the easel of 17th-century Dutch painting, Tulip Fever. Girl with a Pearl Earring is a fascinating piece of speculative historical fiction, but how much more can novelists extract from the Dutch Golden Age? --Jerry Brotton

Title: The Lady And The Unicorn -limited Edition: Description:
Bewitching art experts and enthusiasts alike for centuries, the Lady and the Unicorn tapestries hang today in the Cluny Museum in Paris. In each, an elegant lady and a unicorn stand or sit on an island of grass surrounded by a rich background of animals and flowers. Little is known about them except that they were woven toward the end of the fifteenth century and bear the coat of arms of a wealthy family from Lyons. Tracy Chevalier takes readers back to the tapestries' creation, giving life to the men who designed and made them, as well as the wives, daughters, and servants who exercised subtle (and not so subtle) influences over their men. Like the many different strands of wool and silk that were woven together into one cloth, the lives and fates of these people entwine in complex patterns, crisscrossing as they seek desires sensual and spiritual, temporal and eternal. An extraordinary story exquisitely told, Tracy Chevalier's The Lady and the Unicorn weaves history and fiction into a beautiful, timeless, and intriguing literary tapestry that rivals in grace and grandeur the masterpiece that inspired it.

Title: Falling Angels: Description:
In Falling Angels, Tracy Chevalier has combined a moving elegy to the lost innocence of the 21st century's grandmothers and great-grandmothers with a reminder of the strength and modernity of their aspirations and achievements. Maude and Livy are aged six in 1901, when Queen Victoria has just died and the whole country is in mourning. In 1910 they are almost young women who have experienced their own personal losses and belong to a generation who are no longer prepared to wear black for months to mark the death of Edward VII. Their families, the Colemans and the Waterhouses ("no relation to the painter"), meet in a graveyard beside their family graves. One has a large marble angel erected above it, the other an urn (an allusion more to the morbidity of a Victorian columbarium than the eternity of Keats' pre-Victorian "unravish'd bride of quietness"). Their choices of a monument to death seem to reflect their differing attitudes to life, but Chevalier makes clear that these two families are forever linked in their fates and aspirations. The story moves swiftly, switching to multiple narratives: young but quickly maturing Maude and Livy; the adult Colemans and Waterhouses; their servants; and Simon the gravedigger boy. Chevalier has chosen carefully who speaks when, and who, more importantly, keeps silent. Livy's little sister Ivy May is one of the most beguiling figures of the work, but is given only two sentences of her own (and those two bring a lump to the throat). Mrs Coleman's experiences with the campaign for women's suffrage are marginalised through silence; Maude and Livy tell instead of their reaction to the women's antics. And while Falling Angels may be a story of women, despite, or perhaps because of their exclusion from contemporary politics, Simon's observations are the most honest and revealing. Chevalier herself writes after the story's end that "the Acknowledgements is the only section of a novel that reveals an author's "normal" voice. Every character uses their "normal" voice in this novel, and Chevalier's own voice excels in ensuring that each one is unique (for example, everything is "delicious" for Livy), so that, like Mr Coleman mourning his daughter growing up, you will "miss her when she goes". --Olivia Dickinson

Title: The Virgin Blue: Description:
Tracy Chevalier has established an enormous and loyal fanbase with her much loved Girl With a Pearl Earring and Falling Angels. This is a reissue of her first novel, which was first published in 1996 and has been out of print for 4 years. The compelling story of two women, born four centuries apart, and the ancestral legacy that binds them. Ella Turner does her best to fit in to the small, close-knit community of Lisle-sur-Tarn. She even changes her name back to Tournier, and knocks the rust off her high school French. In vain. Isolated and lonely, she is drawn to investigate her Tournier ancestry, which leads to her encounter with the town's wolfish librarian. Isabelle du Moulin, known as Le Rousse due to her fiery red hair, is tormented and shunned in the village -- suspected of witchcraft and reviled for her association with the Virgin Mary. Falling pregnant, she is forced to marry into the ruling family: the Tourniers. Tormentor becomes husband, and a shocking fate awaits her. Plagued by the colour blue, Ella is haunted by parallels with the past, and by her recurring dream. Then one morning she wakes up to discover that her hair is turning inexplicably red... From the Publisher The compelling story of two women, born centuries apart, and the ancestral legacy that binds them. About the Author Tracy Chevalier grew up in Washington DC. In 1994 she graduated from the creative writing course at the University of East Anglia. She lives in London with her husband and son.

Title: Falling Angels: Description:
1901, the year of the Queen's death. The two graves stood next to each other, both beautifully decorated. One had a large urn - some might say ridiculously large - and the other, almost leaning over the first, an angel - some might say overly sentimental. The two families visiting the cemetery to view their respective neighbouring graves were divided even more by social class than by taste. They would certainly never have become acquainted had not their two girls, meeting behind the tombstones, become best friends. And furthermore - and even more unsuitably - become involved in the life of the gravedigger's muddied son. As the girls grow up, as the century wears on, as the new era and the new King change social customs, the lives and fortunes of the Colemans and the Waterhouses become more and more closely intertwined - neighbours in life as well as death. From the Publisher With his notable talent Mike Newell will bring Chevalier’s wonderfully observed book to life on the big screen. Newell has worked in television since he graduated from Cambridge. Dance With a Stranger brought Newell wide acclaim. A string of other hits have followed including the blockbuster smash-hit Four Weddings and a Funeral. Between Chevalier’s and Newell’s outstanding talent, this film is destined to be a huge success! --This text refers to an out of print or unavailable edition of this title.

Title: The Lady And The Unicorn: Description:
Tracy Chevalier, whose three earlier novels are loved and admired all over the world, has woven a rich,satisfying tale about the passion and price of artistic creation.